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Banjo ukuleles are very strange. They don't really sound like banjos and they don't sound like ukuleles. There are a variety of different types and each type souds different from the others. Banjo ukes were (and are) more popular in England than here in the US because of George Formby a big music hall and movie star who played one. (Our equivalent star was Ukulele Ike who played the usual mahogany-type uke.) In the US, the popularity of the banjo uke seems to have peaked in the thirties but is now having a revival. The banjo ukes (and other banjos) are so loud that it is often desirable to quieten them down. Metal mutes are availble that attach to the bridge and/or the inside can be loosely stuffed with rags or polyester pillow stuffing. Tuning the uke in a lower key will make it less loud and often sounds better than the regular tuning. The banjo ukes with the larger pots and heavy tension rings generally sound better than the smaller light-weight ones. Banjo players who sing generally place some kind of padding (such as old socks) behind and in contact with the vellum or plastic head to mute the sound. This generally improves the tone.
 Shown here is a Rally banjo uke which is available by direct shipment from asia if you buy it on ebay. This ukulele is made with a concert-sized neck which gives you more room for you fingers. It is heavy which is usually the case for better-sounding banjos of all sizes. This partly due to having a heavy metal "tone ring" around the top of the ukulele another characteristic of quality banjos. The head is Remo fiberskin, a type of plastic instead of vellum which is found on the vintage ukuleles. The 8" diameter head with the heavy tension ring results in excellent tone and volume. This ukulele has more of the sound of a large banjo than most ukulele banjos. Here is a video clip of a banjo ukulele similar to this one playing "Bourbon Street Parade" and "banjo ukulele medly.
Shown below is a homemade hand drum banjo ukulele using a $20.00 Remo 8" hand drum for the pot.
Here is a home-made banjo uke made from an 8 inch REMO Fiberskyn 3 hand drum that sells for under $20.00 together with some old ukulele and banjo parts. I found the drum on amazon.com. Because this is not a very robust method of attaching the neck, I recommend tuning the uke one full note below the usual C tuning so that the 3rd string is Bb. The uke should be tuned F, Bb, D. G going from the 4th string to the 1st string and will sound good even if it is tuned a half step lower than this. Here is a recording of this uke playing "Whispering". Assembly time is about two hours if you are handy with tools. If you aren't handy get someone who is to put the uke together. The tailpiece is available from amazon.com also.
This shows the how to attach the neck to the drum using a piece of wood and a 2 1/2" long metal screw, diameter size 12.
This shows a 3/8" spacer inserted between the neck and the drum so the bridge won't be too close to the rim. (The bridge must be placed so that the 12th fret is half the distance from the nut to the bridge.) The spacer will not be required if you use a banjo ukulele neck since it will be longer than the neck from a regular ukulele. Thin strips of wood can be used as shims to properly align the neck.
This shows the uke after the spacer is covered with red tape. The sound of this uke can be described as "great" or at least "good."
The above picture shows a home-made tenor banjo made by attaching the neck from a tenor banjo to a 10" diameter hand drum. The neck is a short-scale tenor banjo neck. If you use a longer neck you will have to attach it to a larger diameter hand drum. The distance from the nut to the 12th fret must be equal to the distance from the 12th fret to the bridge. This banjo is tuned like a baritone ukulele DGBE which is the same as the highest 4 strings of a guitar. (When a banjo is tuned like this it is called the "Chicago tuning") The strings are the Nylgut "Classic" banjo strings (without the fifth string). These strings are plastic so you can play them without a pick just like you play your ukulele and you can use all your familiar ukulele chords but you will be playing in a key that is 5 half steps lower. You can also use the guitar chord diagrams on the sheet music and leave off the lowest two strings. There seems to be quite a number of inexpensive tenor-banjo necks available on ebay.com, probably because people are putting 5-string banjo necks on the old tenor banjos and selling the 4-string tenor banjo neck.
This picture shows how to attach the neck to the drum.
 This is the Gold Tone Delux banjolele (banjo ukulele) similar to instruments played by English music hall stars George Formby and Tessie O'shea. This ukulele is heavy and weighs over 4lb 4oz, more than twice as much as the May Bell Concertone ukulele banjo. The weight is partly due to having a thick heavy tension hoop and a thick heavy tone ring which causes a bump near the edge under the head. This uke is extremely loud and sounds better to me when a one inch thick disk of pillow foam is placed inside under the head. The neck is moderately wide which makes it easy to play. You can hear Ian Whitcomb playing a uke sort of like this on the November 27, 2011 show on clubcicada.com. The heavy tension hoop and tone ring are usually found on higher priced full size banjos and result in a louder and clearer sound. I recently replaced the head on this instrument with one made of natural vellum which also improved the sound and I also replaced the original strings with Aquila Nylgut Classic banjo strings which make the G string an octave lower for playing melodies and which have a more banjo-like sound.
This uke was made by attaching the neck of a standard soprano ukulele to the 11" pot of a regular size banjo. I thought this was an original idea until I saw an old one made this way on ebay.com. Anyway, it sounds great and is easy to play. It is strung with Aquila Bionylon concert ukulele strings.
Shown above is a Stella banjo uke (banjolele). This uke has a 7" pot and sounds very good. It has a wide neck which is a major advantage over the May Bell Slingerland uke if you want to play the individual notes or don't have small hands. This same model was sold under various brands (as were just about all banjo ukes.)
Shown here is one of the most commonly found vintage ukulele banjos, the Slingerland May Bell Concertone banjo ukulele, sold under various other names also such as S S Stewart Collegian. This uke sounds very good for its size and weight. You can hear one in this video clip by Evans and Rogers. This ukulele is the same as the S S Stewart Collegian shown on the repair page except that one has a layer of dark wood over the fret board. These ukuleles usually sell on ebay for around $150.00 depending on their condition. A disadvantage of this uke is the narrow fretboard which was common on the banjo ukes but not on the standard ukes of the same era.
This type of banjo ukulele was one of the earliest designs. It was made with the back open or with an arched back with f holes. They usually do not have a tone ring and so are light weight. This uke is 7" wide but the head is only 5 1/5" diameter, which in my opinion is too small for optimal sound. They are apparently desirable to collectors because of their looks since they don't seem worth the prices if you want to play them instead of hanging them on the wall.
This another uke with a 5 1/2" pot even though the uke is 7 3/4" wide. The uke has heavy metal parts inside the wood and is extremely loud but the tone is unpleasantly thin. It might sound better if the vellum used were heavy weight instead of medium weight.
.This is an "Avalon" banjo ukulele sold under other names also and the company that made these is unknown to me. It has an 8" head surrounded by a very heavy tone ring which gives it a full rich sound. These under whatever name is on them usually go for well over $200.00 often over $250.00. The tension ring is so thick that it has a groove in it for the ends of the hooks that hold it in place.
This is "Standard Approved" banjo ukulele which means that it was sold by Sears Roebuck but the company that made it is not known. It is fairly heavy and the sound is crisp and fairly loud. The neck is a little narrow, a minor problem. The tailpiece is not original. Here is a video of Katy Carr (from England) playing a uke somewhat like this one.
This is an all-metal banjo ukulele (except the neck), marked "Banjo-ette Elkhart, USA" but the same model was sold under several other names including "Bruno Maxitone U-King" and "Jollie-Joe". The resonator resembles an aluminum frying pan. This uke was usually sold without the resonator and sounds good that way also. The diameter of the pot is 7" which I think is about the minimum for good sound. This uke sounds a little better than the 7" May Bell probably because of its construction from heavy aluminum instead of wood. Here is a video clip of the Maxitone U-King (Banjo-ette) being played. The tone is a little metallic but good and also loud. The vellum is not original and was installed by yours truly by the method shown on the Repair Gallery of this website.
Pictured above are open-back tenor banjos which are tuned the same as a baritone ukulele. The one on the left is the common 19-fret type strung with real gut strings made for a 5-string banjo (minus the short 5th string.) The banjo on the right is a 17-fret model which has a shorter neck giving a scale length about the same as on a baritone ukulele. It is strung with Nylgut classic banjo strings which are made from a special type of nylon and are easier to find than real gut strings and which also sound great. La Bella makes a set of nylon banjo strings which have low tension when used on a 17-fret tenor banjo and you can play them with your fingers like you play your ukulele (which is also the case with the Nylgut and the natural gut strings.) With the banjo tuned like a baritone ukulele, you can use the guitar-chord diagrams until you have the chords memorized. Tenor banjos have either 17 or 19 frets and can be had open backed or with a resonator. The loud ones are as loud as the brass instruments in the band. Because the neck is so long it is possible to play way up the neck thus allowing an extended tonal range not found on other ukulele-type instruments. Although the length of the scale on the 17-fret tenor banjo is about the same as on a baritone ukulele, the neck is much narrower.
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